KAWAI K5 The analog nature of a too digital synthesizer YouTube

Kawai K5. Kawai K5 61Key Digital Synthesizer Reverb De-tuning can also be used to thicken or augment sounds too Through the MIDI interface all possible digital devices (like computers with score software, sound modules or arrangement keyboards) can be connected with an Anytime piano, to use it so simple and agreeable for compositions, recordings or to use it with the digital accompany band.

Basically, you can vary up to 126 harmonic levels generated by a sine wave via a bar-graph type graphic display to create, shape and change your sound You should be able to get an idea about the soundscape that was at the cutting edge at the time the Kawai K5 entered the marketplace by listening to an album like "Revolutions" by Jean-Michel Jarre, released in August 1988:

Kawai K5 Vale Pianos

First, the 51″ K-500 gained two full inches in height over its predecessor which provides a larger soundboard area (2155 sq But even using this method it can take quite a while to knock 63 harmonics into shape, so Kawai's designers have come up with a few short cuts, to speed things up. This new K-Series will not be just a succeeding model to that of K-18, 25, 50, 60, 80, but a "Full Model Change"

Green Box Kawai K5, K5m Additiver Synthesizer AMAZONA.de. The K5 is one of the worst-sounding and most difficult to program synthesizers ever produced. The new K-500 is a true "step up" from a variety of perspectives

K5 Kawai K5 Audiofanzine. Kawai K5 Digital Multi Dimensional Synthesizer (1987) It was originally dubbed "Digital Multi Dimensional Synthesizer" Successor: K-500; Reliability and superior sound quality